There are several mirrorless cameras that would get you into UHD 4K at less than half the cost of the FS5. Constant F4 aperture eliminates unwanted exposure changes during a zoom. I’m powering the Micro Remote with a D-tap out of a Swit S-8U63 battery on the FS5 and mounting the FS5 LCD and Micro Remote Base Station onto the camera using the 1/4-20 mounts to help balance out the heavy lenses. On other cameras the obvious solution to mounting issues is to replace the top handle with a third party one. I figured there was no better way to test it than to film my friend Kai for an episode of Digital Rev. All the latest video techniques and gear reviews, sent straight to your inbox. But I do find that center crop works best in plenty of light. As with other Sonys you have to format a card in either PAL or NTSC. Because the camera needs to operate at a high ISO all the time, applying the ND in more than just a step at a time is very nice. However, this lens works well with Sony’s in-body image stabilization (IBIS), so that gives you some form of stabilization. It’s a tug of war between the $3,500 a7S III and the $11,000 FX9. USB:  1 x Multi/Micro Pricing. Answer This Question. To get a better 4K output you will have to wait for the FS-RAW upgrade option which will come at some point in the future for an unspecified price. Thank you. Optically it is a pretty good all-rounder; I wouldn’t say it has the nicest bokeh or definition, but it isn’t terrible. I shot a lot of REC.709 footage with the camera in 10-bit HD 4:2:2 and it seemed to hold up pretty well when I tried some rough grading on it. It was just far more usable on the FS5. Camera brands are bragging about stabilization -- but what does it all mean? Please list what lenses would be the best for the FS5 and there are really good Sony lenses that are ideal for the camera without weighing more that the camera itself. I felt that the kit lens would be easy to work with while learning about the FS5. Replacing the FS7, the camera is so popular that when Fujifilm first launched its MK zooms, they did so in Sony E-mount before its own X-mount.In hindsight, it was a smart move, as the FX9 turned out to be a massive hit. The advanced image stabilization information means handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look smoother. I took pictures indoor and outdoors. We had a couple of hours on a grey and windy London afternoon to film the short video, which will be out in a few weeks. Rigging the Sony FS5 Sony have clearly designed the FS5 with handycam-type use in mind. It also offers Optical Image Stabilization. At first, the grip felt strange because it requires multiple fingers to operate. Sony has developed a powerful yet quiet mechanism for Balanced Optical SteadyShot. The FS5 and lens use Sony’s E mount. The 8-second cache recording means no more mis-timed shots leading to extra takes. Sony recently released the PXW-FS5, a professional camcorder that in many ways delivers a bigger punch in a smaller package than the FS7. Two compact, energy-efficient motors manipulate the entire lens unit and image sensor vertically and horizontally, powerfully correcting camera-shake blur of pitch and yaw axes while a sophisticated algorithm compensates for blur caused by camera shake in roll axis. I would happily use these for 10-bit HD shooting, but for 4K it might be a bit of a push to get really good results. I have two lenses with image stabilization, one is a 24-105 mm f/4 and the other is a 70-200 mm f/2.8. S&Q mode allows continuous shooting at up to 60 fps in 1080P and there’s a buffer-based system to record up to eight seconds in full HD at 240 fps. I currently have the 18-110 which is in my opinion the best value all round lens for its price, useability and functionality. The SDI output is 10-bit 4:2:2 HD, but has no 4K option. Rotating the grip was easy, which made it possible to quickly find the optimal grip no matter the shooting angle. Beyond any doubt, Sony A7III is regarded as one of the most talked-about mirrorless cameras in 2018. It is also possible to record 120 fps with up to 16-second cache recording. Sensitivity ISO Rating: 3200 (S-Log3 Gamma) Gyro stabilization is becoming a standard for Sony cameras. But for the majority of solo shooters the little Sony FS5 should fit the bill just fine. The Sony version doesn’t have it … All you need are SD cards. AC Adapter:  12 VDC The FS5 combined with the Convergent Design 7Q+ recorder/monitor gives us a 10 bit signal and using the Redrock Micro Remote thumbwheel/wireless controller on the Movi 10 gives us full focus control. If you want to use the handgrip on a rig you will need to buy special adapters from Sony that add an Arri-style rosette to it, then add a grip relocator. I’m sure that there will be even more third party solutions eventually. It also rotates and moves very easily. It's official. If I was looking to buy a Sony FS camera I’d have a difficult time choosing between the FS7 and FS5. Shooting in UHD 4K with its Super 35 image sensor, its image quality is superb. Matthews Studio Equipment introduces Gobo Plate™ Line, Sirui 1.33x anamorphic lenses come to RED Komodo and Canon C70 with MTF Services RF-mount conversion. You are therefore essentially stuck using the Sony handle. It can record 8-bit, 4:2:0, XAVC-L QFHD (3840×2160) files. It’s such a great setup. Compared to these two cameras in this price range, the FS5 is a greater value and offers very few weaknesses when compared to both the C-100 Mark II and URSA Mini 4.6k. It means that when shooting in HD the kit lens has a range of effectively 18-210mm when the Clear Image Zoom mode is engaged. It felt nice in-hand, allowing simple shooting at both low and high angles. And if the kit lens doesn’t appeal then Sony’s E-mount offers a great deal of flexibility in terms of what you can hang off the front of the FS5, from the latest Canon EF glass to cheap vintage primes. Switches and knobs are not valued highly enough when evaluating many small form factor detachable-lens cameras. Even so, my recommendation if you need this functionality is simply to buy the FS7 instead. Viewfinder:  0.39″ / 0.99 cm OLED The adjustable LCD screen was easily rotated into a storable position. Nikon and Canon clearly had a lead in image stabilization at the time, so it would have cost a lot of money for other manufacturers to update their old lenses and catch up with Nikon/Canon offerings. The built-in display/EVF. The body is so light that it does make it hard to use zoom lenses on the Movi but I’ve created a great setup that proves to be very powerful. I did notice on the production model I’m testing that the illumination is a bit patchy when looking at a completely black image. Due to this, it is proven to be an extremely popular option amongst the advanced videography and cinematography communities with many people opting to use the fs5 as their go-to camera body of choice. However, its immersive qualities create unique technological challenges. It’s also very nice to be able to punch in to center crop mode and get even more reach from the lens. As well as using the usual mount point on the front of the camera you can also put it at the rear of the handgrip, or on top of the camera when the handgrip is removed – which may be useful on a brushless gimbal, for instance. Sony’s image stabilization reduces the effects of camera shake. It also lets you pick out footage at exactly the point that you want. The company is marketing it not just as a grab-and-shoot camera but a ‘handheld hero’ – so would it live up to the hype? I’m sure cinema purists won’t touch the Clear Image Zoom, but for documentary and news shooters it is a feature that could well get you shots you would otherwise miss. I took pictures indoor and outdoors. What the Sony FX6 will cost is a little up in the air as well. But the only other two Sony lenses I have to compare it against are the 35mm (SEL35F18) and 18-105mm kit lens (SELP18105). Very intuitive distinction between IBIS and in-lens stabilization, the picture quality from the store representative request. Any lens on the sensor delivers 14 stops of dynamic range and can shoot internally. Easy to use them to mount your viewfinder we began shooting, there was no better way test. Rotated into a full cinema-style setup camera balances well and the new cameras like the FS7 sensor but gives. It very suitable for use in mind footage look great and more than capable to help capture... The compact body also makes it difficult to use the FS7 s feel so much from the lens was to. 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